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User. “It’s not a dream, it’s not a dream!” he hollers at himself with increasing ferocity on the title track, screaming guitars and unrelenting drumming providing the sonic equivalent of cold water to the face. ADVERTISEMENT. Top ten lists for 2020: The year’s best movies, TV, music and more. “What if I told you I feel like I know you, but we never met?” she wonders on the flickering title track. The Times is one of those times where Neil Young treats his music as a news bulletin: it's an EP designed to address the confusion and chaos of 2020, perhaps offering a little nudge to audiences to go out and vote. And less than two weeks after “SIGN” appeared, Autechre suddenly released another hour of music on the more aggressively disorienting “PLUS.” (Read the interview.). Genres: Mod Revival, Indie Pop, Baggy / Madchester. Sure, there are timely allusions to stir-crazy anxiety (“Anthems”) and video chatting (“in real life, could the club even handle us?” she wonders on the corrosive opener “Pink Diamond”), but these circumstances have also made Charli extra attuned to her emotions, lending the depth of genuine introspection to many of these songs. (Read the review. And when she sings about lost love, she now admits that she shares both blame and regrets. Top albums of all-time Top albums of 2020 Top albums of 2019 Top albums of 2010s. The outwardly aggrieved introspects. List. What if careful, syllable-by-syllable songwriting held hands with clever concepts and intuitive, sticky melodies? But he has never been the thing he is in fact best suited to, which is a singer of dewy R&B. The momentum hardly ever lets up on “RTJ4”; the problems it targets have been all too vivid in 2020. It’s filled with unerringly sad songs made up of notebook-scrawl lyrics with deep-exhale melodies; you can almost hear the downcast eyes and sloped shoulders. These songs are fresh-air triumphs of the downtrodden. “Picture me in the trees, before I learned civility,” she invites on the memory-scape “Seven,” a sophisticated piano bringing gravitas to the childlike playfulness of her lyrics. At 79, he’s precisely the snowbird you want telling you about the bougainvillea blooming in Key West. The songwriter and producer Georgia Anne Muldrow calls herself Jyoti — a name bestowed on her by Alice Coltrane — for her forays into jazz. Featuring winning collaborations with such avant-trash producers as A.G. Cook of PC Music and Dylan Brady of 100 gecs, “How I’m Feeling Now” is hyper-carbonated pop of the highest order — like a can of seltzer that’s so stingingly fizzy it makes you tear up a little on the way down. All releases. Some times you were taken on a journey through the music, and other times you were having your mind blown by the sheer musicianship on display. Mikael Wood is pop music critic for the Los Angeles Times. Taylor Swift, “Folklore”Pop’s most closely scrutinized diarist used a season of isolation to dream beyond herself. (Read the review; hear the Popcast.). Concert venues fell silent. Top albums of all-time Top albums of 2021 Top albums of 2020 Top albums of 2010s. 4:37 PREVIEW Blue Christmas. Intensely personal work swelled into large-scale statements this year, and women often led the way, revealing scars left by different kinds of emotional and political skirmishes, and reinforcing that their voices must be heard. 3. Charli XCX was one of the first pop musicians to make an album entirely in quarantine. Powfu’s debut major-label EP pulses with hopelessness. März 1987 bei dem Label Warner Bros. Records / Paisley Park Records. V/A releases. 2 in the 1991 book The Worst Rock 'n' Roll Records of All Time by Jimmy Guterman and Owen O'Donnell. Top Albums | | | | of All-time. Music. Perhaps a year of isolation made two particular kinds of albums more appealing: ones that were deeply steeped in the past, and ones that sounded like a person working on no one’s calendar but their own. Apple doesn’t forget or forgive; she just moves ahead. Boards. 4. ), A triumph of willfulness, “Fetch the Bolt Cutters” is Fiona Apple proclaiming she “won’t shut up” amid a percussive clatter she created at her home: banging on pots and pans, pushing her voice to extremes, letting her dog bark. ), The alien-abduction skits are redundant: From the opening notes of the bouncing “Baby Pluto” we’ve been transported directly to Uzi’s universe. (Read the review.). ), The Nigerian songwriter Burna Boy calls his music Afro-fusion, not the more specifically Nigerian term Afrobeats, and “Twice as Tall” lives up to that broader mandate with a profusion of sleek, diverse, constantly inventive grooves that traverse Africa and its diaspora. (Photo illustration by Ross May / Los Angeles Times; Jana Legler, Kevin Mazur, Gary Miller/Getty Images). In 2020, many of us have turned to old comforts: the albums we grew up with, the music we usually seek solace in during tough times. Albums include Children of Nuggets: Original Artyfacts From the Second Psychedelic Era, 1976-1996, This Is London, and Pop Goes Art!. From Fiona Apple to Yves Tumor and a head-spinning assortment of artists and genres in between, these are, alphabetically ordered, our favorite songs of 2020. Lil Baby owned 2020. Bei der Aufstellung handelt es sich um die Liste des US-Muttermagazines. Adele--Two Weeks Ago--Last Week. Kaufen Sie Platten, CDs und mehr von The Times auf dem Discogs-Marktplatz. ), Yves Tumor struts and slithers like the most famous rock star on an as-yet-undiscovered planet. Like a distant planet unhurried in its orbit, Fiona Apple returns every seven or eight years to present whatever wisdom she’s gleaned from another trip around the sun. The album entitled “Music of Kish Island” is the 77th collection of the regional music of Iran that has been released by the Mahoor Institute of Culture and Arts. Seattle Times music writer We asked local music journalists, radio hosts and scene-watchers to help us choose the best Washington state albums of the year, the results of which you can read here . Not every album released in 2020 was made during the pandemic. Wait until you hear about his 2021. Graceful melodies, supple guitar syncopations, sophisticated harmonies and a voice that can sparkle with anticipation or cry out in pain capture all the hope and heartache of her narrative. ), Run the Jewels — Killer Mike and El-P — uphold a worthy, now-vintage style of hip-hop, with densely and aggressively produced tracks and rhymes that are declaimed rather than moaned, for songs that address broader issues between boasts. ), The third album by the English songwriter Lianne La Havas cycles through a failed romance — starting and ending with a break — in songs brimming with poised musicality. 1. Ware revels in the textures of the producer James Ferraro’s showroom of vintage synths, conjuring the no-wave cool of ESG as deftly as the glimmer of Minneapolis funk. 10. On duets like the soaring “Kerosene!” and the slinky “Strawberry Privilege,” masculine and feminine energies mingle and detach from their earthbound bodies, their eventual combustion giving way to plenty more interesting byproducts. Ariana Grande, “Positions”No large gatherings here: Grande sings almost exclusively about a quar-pod of two on this tender yet raunchy meditation on the only safe contact sport left in the age of COVID. (Read the feature.). Artists. 5:20 PREVIEW Don't Save It All for Christmas Day. But every one of them was heard during it — context that couldn’t help but shape the way music sounded or what it seemed to say. Only albums with seven or more reviews were eligible. Drew Anthony Smith for The New York Times. Phalanxes of synthesizers, programmed beats and sturdy pop melodies fortify Sufjan Stevens and his gentle voice as he contemplates America in turmoil. Label. 4:22 PREVIEW Song … The grinning-all-the-while anxiety makers. Sign o the Times (stilisiert als Sign \"\" the Times; englisch für Zeichen der Zeit) ist das neunte Studioalbum des US-amerikanischen Musikers Prince. Site. Through its 15 songs, Burna Boy is by turns exuberant, pensive, confessional and political. “WIMP III” has freed them up to experiment, embrace imperfection and discover promising new corners of their evolving sound. 8. Sawayama mines shimmery and chaotic early 2000s pop and also rap-rock and nu-metal on songs that would resonate in front of a raging crowd of 100,000 people or a chin-stroking gaggle of 100. Common charts. Broadway went dark. (Read the round table; hear the Popcast. Film title. “I knew everything when I was young,” Swift sings. But the unifier is Trifilio’s voice: sweetly pleading, sweetly exasperated, sweetly resigned, sweetly vengeful. Discover music on Discogs, the largest online music database. The acts nominated include Denise Chaila, Fontaines DC, … On release, they were heard privately. Classical work. Boards. The exciting thing to think about is how young she still is. Genre. Weeks … 21 Savage and Metro Boomin, “Savage Mode II”; Benny the Butcher, “Burden of Proof”; Natanael Cano, “Trap Tumbado”; The Chicks, “Gaslighter”; City Girls, “City on Lock”; Code Orange, “Underneath”; Conway the Machine, “From King to a God”; Drake, “Dark Lane Demo Tapes”; Freddie Gibbs and the Alchemist, “Alfredo”; Ariana Grande, “Positions”; Hardy, “A Rock”; Haux, “Violence in a Quiet Mind”; Ian Isiah, “Auntie”; Junior H, “Atrapado en un Sueño”; King Von, “Levon James”; Lil Durk, “Just Cause Y’all Waited 2”; Lauren Mascitti, “God Made a Woman”; John Moreland, “LP5”; Jessie Reyez, “Before Love Came to Kill Us”; Dua Saleh, “Rosetta”; Sunday Service Choir, “Jesus Is Born”; Myke Towers, “Easy Money Baby”; Jessie Ware, “What’s Your Pleasure?”; Waxahatchee, “Saint Cloud”; The Weeknd, “After Hours”; Hailey Whitters, “The Dream”; YoungBoy Never Broke Again, “Top”. What if the most innovative mainstream Nashville performer was also the most reverent of tradition? ), Pop Smoke, who was killed in February, was moving away from drill music toward a sound that was melodic but still gruff, long the winning formula for New York rappers with big dreams. His full-length debut album nailed the transition — it’s mischievous, sinister and loose. ), “When you are young they assume you know nothing,” quoth Taylor Swift, age 31. Sometimes it’s been bigger than his songs, but on this, his fourth album, the thrill is back. Tweet. The grizzled vets. The music touches down in slow-motion R&B, but moves toward abstractions — orchestral, jazzy, electronic — as Sumney ponders solitude and connection, masculinity and … Metal Machine Music, Lou Reed (1975) An album consisting entirely of guitar feedback loops, ranked No. Artists. The shortlist for the 2020 Choice Music Prize Album of the Year was announced on Wednesday. From homegrown jazz to furious punk to raw hip-hop recorded from prison, these 10 albums highlight L.A.'s creative spirit in a hard-scrabble year for musicians. (Read the interview. 'The Outsiders' by Eric Church. What we said: "Combining smoky disco and subtle house music, Jessie Ware takes us on a journey of aural pleasure on her fourth album" Read the review There was … The ever cryptic, ever exploratory electronic duo Autechre greeted 2020 with something approaching moderation and introspection, releasing a single CD (as opposed to the marathon “NTS Sessions” from 2018) with 11 tracks that usually accept the regularity of a beat. On this understated album, he finally arrives at his sweet spot. (Their real name, appropriately enough: Sean Bowie.) If the sticky-icky hooks of the 2017 album “Luv Is Rage 2” established Lil Uzi Vert as a melodically savvy hip-hop crooner, the long-gestating “Eternal Atake” is a sharp assertion of his skills as a rapper — combining the influences of his forebears Chief Keef and Future (both of whom he also collaborated with this year) into a unique style that could be mistaken for no one else. The Chicks, “Gaslighter”President Trump, a cheating ex-husband, spineless country-radio programmers — the Chicks’ thrilling comeback (minus the “Dixie” but with vocal harmonies intact) accommodated all comers in vivid, funny songs about the varied systems that enable men to claim positions for which they’re not cut out. ), Haim’s playfully acronym-ed “WIMP III” feels like a trip through the radio dial during one of those fleeting years in the mid-90s when — by some sort of clerical error or rip in the space-time continuum — the airwaves were dominated by an eclectic variety of female musicians. Megan Thee Stallion, “Good News”Debate all you want about whether “Good News,” which follows several mixtapes and a mini-LP, represents Megan’s official debut. Suzanne Cordeiro/Agence France-Presse — Getty Images, Mike Hadreas, who records as Perfume Genius, explores a complex spectrum of queer desire on “Set My Heart on Fire Immediately.”, Jessie Reyez, “Before Love Came to Kill Us”. Bad Bunny only waited about four years. This album delves into the sounds of reggaeton’s past but doesn’t feel dry — rather, it underscores the legacy of his outré approach, marking him just as much a historian as a history-maker. - Best Ever Albums score: 15,415 - Best Ever Albums user rating: 80 - Rank all-time: #111 - Rank in decade: #21 - Rank in year: #5 - Year: 1994 “Definitely Maybe” was the debut album of Britpop’s Oasis, with brothers Noel and Liam Gallagher shaking up a music scene filled with grunge sounds at the time. The collection features 19 tracks recorded and performed based on extensive research by Mohsen Sharifian, an expert on the folk music of southern Iran who is also a neyanban virtuoso. Music. So unsparing is his inquiry, though, that Rosenstock’s occasional flashes of tenderness feel refreshingly (if obscenely) hopeful. On “Folklore” she is swathed in acoustic instruments and Minimalistic patterns within patterns. From homegrown jazz to furious punk to raw hip-hop recorded from prison, these 10 albums highlight L.A.'s creative spirit in a hard-scrabble year for musicians. (Read the review. (Read the review.). The Chicks made a thrilling comeback in 2020. She remakes Charles Mingus, the earthiest jazz avant-gardist, on a few tracks, nodding toward an inspiration. ADVERTISEMENT. (Read the round table; hear the Popcast. Some 2020 albums were already well underway before the pandemic; others were made under quarantine, with long-distance collaborations or none. 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